Wednesday, March 16, 2016

M of MI6




M...the letter says it all. The head of the British Secret Service. The Crème de la Crème. The highest of the bunch. The big banana. The...okay you get it. Here's a look of all the M's then and now of the James Bond saga.
  
BERNARD LEE:

Beginning with Dr. No in 1962 until Moonraker in 1979, actor Bernard Lee plays Sir Miles Messervy, code name M of MI6. Quick witted, intelligent and quite by the book, M has a zero tolerance level for Bond's shenanigans and consistently puts the mission at hand before all else, but does so in a calm manor. When 007 wants revenge on Goldfinger, he reminds that "it's an assignment like any other. And if you can't treat it as such, then 008 can replace you." With a pipe in one hand and writing a dossier in the other, he is often distracted by his work and doesn't always knowledge 007 when entering a room. Later on, he grows admiration for Bond and trusts his instincts. "If 007 says he saw Devour and he's dead, then that's enough for me to start inquiries." Sadly, Bernard Lee passed away in 1981 before he could begin filming For Your Eyes Only and the role of M was vacant in honor of his memory.

Appearances:

    B1 

    B2
    B3


    B4

     


    B5 






    B6 



    B7 



    B8 




    B9 


    B10 






    B11 




















    JOHN HUSTON:
     






    For the 1967 spoof, Casino Royale, director John Huston briefly played the role of M. Acting as a top-notch British elitist; a Winston Churchill-type if you will. His M dies in a fire thus causing Sir James Bond (David Niven) to instruct the missions for a time. 








    Appearances:


    H1





    ROBERT BROWN:


    In 1983, Robert Brown takes over the role for the next four films and brings a much more interpersonal version to the role. Now, it is speculated that this M is Admiral Hargreaves in The Spy Who Loved Me, but that has not been confirmed so it is up to the viewer to decide. Impatient, and even more by the book than Bernard Lee's performance, there is no sense of chemistry with the Bond's that he instructs. A mission is given, and he simply hands it out. When 007 goes rouge, he does however stop his men from shooting at him and wishes him well as he escapes, but this is more out of surprise and disappointment than out of admiration or feelings. "God help you, Commander", he says as Bond runs away.


    With only four appearances, Brown makes the character his own and doesn't attempt to copy nor follow the footsteps of Bernard Lee. Always in a rush, and always quite to get 007 out the door, this M has less time for the pleasantries and more time for his personal situations. 

    Appearances:

    R1

    R2
    R3



    R4 





      
    EDWARD FOX:
    Also in 1983, Edward Fox took up the mantle as M for the film Never Say Never Again. Although this isn't part of the main series, I do consider it a Bond film thus why I will include this. A bit more like John Huston's performance in the part years ago, Edward follows up the whole Winston Churchill persona and doesn't give a crap about the 00-section. Claiming it is underfunded and causing the service a lot of debt, he is striving to shut it down when a crises occurs and forces him to reopen it, much to his chagrin. Not taking 007 seriously and having a very short temper, this M is probably the most unbearable in terms of his treatment of other officials as well as 007. "I sent you to a health clinic to get yourself in shape, instead you demolish it!" "A man did try to kill me, Sir", Bond replies. "Oh! Caught you seducing his wife did he?!" He almost treats Bond like a child breaking the rules and lectures him rather than giving him enough information on a mission. Funny at times, but perhaps the most number cruncher than any other M.

    Appearances: 

     never say never again 516b145457000


    DAME JUDI DENCH:



    In 1995, the role of M is passed down to Dame Judi Dench. The first female in the role, she stands her ground and doesn't let men get in the way of her duties. In Tomorrow Never Dies, Admiral Roebuck makes a personal attack on her sex. "With all due respect, M. Sometimes, I don't think you have the balls for this job!" "Perhaps" replies M. "But the advantage is I don't have to think with them all the time." She also understands her positioning on the grounds of sending people out to their deaths but "won't do it on a whim." This is also the first M we discover that has children and treats 007 almost as a son she never has. Her chemistry with both Pierce Brosnan and Daniel Craig is impeccable. Dying in 2012 at the hands of an former agent, M passes away in Bond's hands and left a legacy for all to follow just as Bernard Lee did all those years ago.


    Out in the field only a small handful of times, M, being the mother that she is, goes out to Baku to product Elektra King, oil heiress of her father whom has died under mysterious circumstances. Discovering that Elektra is behind the death, M is kidnapped and her ingenuity allows her to find a way to contact 007 and pin point her location. Quite resourceful, smart and cunning, she pulls out the stops under the most dangerous of situations. Not only does she give the orders behind the desk, she also proves to those that she can handle herself and rid the negative stereotype of a women in charge of the British Secret Service

    Appearances:


    J1J2
    J3
    J4

    J5
    J6
    J7
    J8




    RALPH FIENNES:

    When unable to obtain the file containing information on every MI6 across the globe, M (Judi Dench) is under investigation and given the option to retire as head of the Service. Protesting and defending herself against Gareth Mallory, she vows she is as capable to tend to her duties as anyone else. Once M passes away on the field, Mallory is the new head of the service and Ralph Fiennes brings back the by the book style of Bernard Lee with a touch of Robert Brown. When MI6 is facing a shutdown, M goes in the field and does what he can to ensure the security of the state. While at first not very likable as he is a replacement for Dench's M, he proves himself as a worthy successor while bringing the role of M and making it his own.

    Appearances:


    J7

    J8



    Monday, March 14, 2016

    Sir Ken Adam (1921-2016)



    With great sadness, on March 10th, 2016 we lost production designer Sir Ken Adam. Known for his illustrious sets and amazing interior design, he will perhaps best be known for his work on the James Bond films of the 60s and 70s. Ken passed away at the age of 95.

    Ken Adam on the set for "Moonraker"

    Born in 1921 in Berlin, Germany Ken was a natural at illustration. While the Nazi's were coming into power, Adam and his family migrated to the United Kingdom in 1934 where he continued his goal as an illustrator and architect. Adam has lived in England ever since. A two-time Academy Award winner for Art Direction, Adam won for both Barry Lyndon and The Madness of King George. In 1961, Adam began the first of seven James Bond films as Production Designer.

    Dr. No's secret base at Crab Key.
    Starting off with Dr. No, the first 007 movie, the layer used for Dr. No's radiation room is not as elaborate nor as spectacular as what is to come with Ken's work, but brings the viewer into the story by the sheer madness and ridiculousness of the design. Starting with just a wide shot, you notice the long beams and tilted supports. Without even knowing what the room is used for, you can tell it's for something important and maniacal. With a budget of just $1 million for the production (the cost for the films would go up and up later down the line) this is quite a remarkable set. Even though this isn't the only set of Ken's in the movie, it does stand out as most memorable for me.

    "This is gold, Mr. Bond."
    Unavailable for the second Bond film, Ken returned with a vengeance for Goldfinger. This is where Bond is strapped to a table with a laser beam about to slice him in half from the crotch up. For 1964, I'm sure the world has never seen anything so elaborate in a room that can switch sides and platforms by just hitting the switch of a button.The darkness of the scene really adds to the darkness to the character of Goldfinger and his obsession with...well gold. As the laser proceeds to get closer to 007, Connery makes a great witticism during his "visual example." "I think you've made your point, Goldfinger. Thank you for the demonstration." To which Goldfinger replies, "Choose your next witticism carefully Mr. Bond, it may be you last." Classic stuff and having a set like this makes it all the more entertaining! In addition, Adam makes his own vision for the interior of Fort Knox, in what I can only assume is much more elaborate than it's real-life counterpart. Another great scene uses Ken's designs as Bond and Oddjob fight to the death. These rooms and sets speak for themselves and you will notice that little to no music is performed while taking place in each of them. We don't get sets like this anymore and every set piece is a product of its time.

    The interior of Fort Knox, Kentucky.




     "RAID FORT KNOX? HAHAHA!!!!"








    I've always been a big fan of his set for You Only Live Twice. In what was originally supposed to be an interior of a volcano, Blofeld has SPECTRE convert it into a hidden launching site for rockets to capture and return other space vessels. Bond (Sean Connery) discovers the base accidentally and brings a group of ninjas to infiltrate the hideout. In what is one of the most expensive and awesome actions sequences in any Bond film, Adam's interior is the setting for the battle. Of course while it was built on stage and not actually in a volcano, you would forget while watching the movie. For 1967, this was quite an accomplishment. Nowadays, studios would use either either full CGI or a mixture of matte paintings

    Tanaka and his ninjas infiltrating Blofeld's base.



    As Ken Adam goes on to work on other productions, he will forever be known as the best production designer to ever live for the James Bond films and sets. An interesting note is that he was an avid drinker and smoker. In nearly every interview he's done, there's a large cigar in hand.



    In addition to the 007 films, Ken Adam also has a strong relationship with Stanley Kubrick in the 1960s. Adam is known for his work on Kubrick's Dr. Strangelove. Planning on working on another Kubrick film, 2001: A Space Odyssey, Adam declined. From an article by The Economist,  Ken describes, '"I found out that he had been working with experts from NASA for a year on space exploration and all that sort of thing. And the moment I saw that, I thought, not for me. Because I could only function properly with this very powerful computer-like brain of Stanley by knowing as much visually about the subject matter as he did, because then I could justify departing from the visual reality that he knows."' In other words, if Kubrick had an advantage, then their minds wouldn't sync together thus probably causing more problems on set. A random fact, that in 1977, Stanley worked on the lighting on one of Ken's sets for The Spy Who Loved Me. Kubrick went unaccredited for his work. Once finding this out, I am not surprised as they both had a strong working relationship in the past.

    According to a recent article from The Guardian, Writer Ronald Bergman shares a quote from Adam regarding the drastic changes from the Ian Fleming Bond novels to what is depicted on screen. '“More and more, the Ian Fleming stories disappeared and the producers and the public seemed to rely more and more on the visual excitement of the film, meaning sets, locations, gadgets and everything else."' In order to depict the large changes, and what audiences wanted to see, these changes are the eye candy people were craving for. You wouldn't find sets like this just about anywhere.

    Retiring in 2003, Ken Adam's final production was depicting the aftermath of WWII in the film Taking Sides in 2001.

    Adam is survived by his wife.

    What do you think about his designs? Do you think the Bond films would not be what they are today without his contributions? 


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